My work takes realistic photography as the foundation for digital and physical manipulations, in order to create fictional imagery of everyday events. The credential of documentary photography is combined with fictive narrations of autobiographical content.
The photographic document is conceived as a recipient of physical actions, such as, cuts or gesture marks. By applying digital processes, gesture drawings, paper cuts and metaphorical displays; these images are regarded as narrations in the form of panorama-like photomontages. These projects intercross the subjective limits between fiction and everyday events. They take the approach of realistic photography and gesture marks to explore the realm of transitional landscapes. They reveal a personal experience and a delusional intent for reconstructing memory having no particular references or attachments. These projects belong to an itinerant observer that randomly records and narrates, turning the everyday certainties and spaces in illusions. My art examines the notion of the everyday becoming a tool for unfolding a fantastical utopia though evanescent mundane events.