In my work, realistic photography is the foundation for digital manipulations, gesture drawings and pictorial procedures. The credential of realistic photography is combined with narrations of autobiographical content that intercross fiction and everyday events. These projects explore the photographic document in the realm of transitional landscapes. Printed images are conceived as a recipient of physical actions, such as, drawings, paints, cuts or marks. By applying digital processes, gesture drawings, cuts and metaphorical displays; these images are regarded as fictional autobiographies. They reveal a personal experience and a delusional intent for reconstructing memory having no particular references or attachments. These projects belong to an itinerant observer that randomly records and narrates, turning the everyday certainties and spaces in illusions. My work examines the notion of the everyday becoming a tool for unfolding a fantastical utopia though evanescent mundane events